Hong Kong Film Festival "Seven" Xiaogan

I have always been a diehard fan of Hong Kong police and gangster films. Of course, I am talking about the Galaxy one. Bomb Handler 2 should be the last police and gangster movie I watch for a long time in the future, and it will really turn my stomach when I watch it again.

Maybe in Hong Kong movies from now on, all the joys will be accompanied by pathos. So start with the band of seven and watch the movie well. (The following is a random afterthought)

1. In the 1950s, Sammo Hung's story was a simple piece of personal memory, starting from a relaxed and lazy practice to the end of hard work. The short rooftop shooting set a good tone for the film. In fact, each and every one of these rooftops sweated like rain Young people in martial arts who practiced the blanket kung fu diligently have brought a lot of achievements to Hong Kong's martial arts movies in the future.

2. In the 1960s, director Xu Anhua took over and told the story of a short-lived teacher. The small tender moments are presented like prose poems, but the things taught by words and deeds are remembered by students for a lifetime.

In the 1980s, Director Tan Jiaming gave a speech on the last night of a pair of lovers before the girls immigrated. Young, raw and sincere. That kind of love, like loving the city, is the "first but only" "dream". The film ends up with Admiralty along Central from the rear window.

4. In 1997, he was selected by director Yuan Heping. The story is very simple: "Returning is going home". The short gathering has cultural conflicts and understandings, but it is really short-lived.

5. "Quick, quick!" To Qifeng quickly integrated the major events of the millennium into the conversation of three friends in the tea restaurant. The stock market bubble, SARS, the financial tsunami, where is there time to fear in Hong Kong, where gold is everywhere?

6. Director Lin Lingdong's 2010s were the most conservative, even off the ground. Even now, I still have to miss the so-called demolished past, such as Queen's Wharf. No one remembers the local consciousness of Hong Kong. There is only vague so-called nostalgia in the lens. Ren Dahua will also play an aboriginal resident who has returned from the United Kingdom, recognizing his ancestors and returning to the old house in the New Territories. This part got me lost.

7. Tsui Hark's future is wonderfully depicted, history and truth no longer matter, rationality and madness are no longer distinguished, but this is still an in-depth dialogue.