The youthful daydream of worrying about gain and loss - "AV"

Using professional methods to shoot amateur shoots, the theme of the film is Peng Haoxiang's daily routine. Putting his daily life into the film, the effect is not only close to the ground, but also can be directly expressed by the characters in the play. The film is based on a group of college students, er, the government borrowed to shoot AV. In addition to different intriguing themes, such as the director borrowing money for filming, young people's imagination of sex, it also interrogates college students who were passionate about fishing in the 1970s and today's (2005) Comparison of College Students.

In terms of technique, Peng Haoxiang used the scene of gossip blowing water from a circle of friends to exaggerately unfold the private conflicts between the characters, and repeatedly play the hypocrisy and cowardice of the city people. But in Director Peng's films, the protagonist often has the courage to break through the hypocrisy and frankly, and then the plot develops into the absurd, advancing and ending through the clever and reasonable. The characters who have grown up under various experiences will have a higher level than the reunion comedy of an earlier era in the ending with both gains and losses, and it is more worthy of scrutiny.

The protagonists in the AV are five men and one woman, Zeng Guoxiang, Zhou Junwei, Tianyou, Younan, Zhou Zhenhui, and Tiangong Manami. Among them, Zeng Guoxiang's acting skills are obviously better and naturally powerful; Zhou Junwei is still more brilliant in "Love Uprising", and his performances over the years have only been mediocre, and occasionally felt stiff. The Japanese that Yunan speaks is also pleasant to me, who is not fluent in Japanese. It's a pity that Zhou Zhenhui, who developed mediocrely after that, probably had a lot of influence on Xingtu because of his inferior appearance. After the negative news in 2012, he became a missing person, and Zhou's performance was really impressive. The innocence and apprehension of the drama's first brother is also properly expressed. Manami Tiangong, who plays herself, behaves calmly, needs emotions and emotions, and it is very natural to wear naked clothes. Probably under the tempering of shooting adult videos with a high number of viewing times, a frown and a smile can always make (male) people feel that they are all Sincerely. Tiangong, who retired from the AV industry in 2007, has also become a missing person.

Director Peng did not exaggerate the naked scenes, nor did he replace pornography with aesthetics, and kept the film on the line of literary youth, so that the film could avoid objectifying women and faithfully depict the restlessness of youth. Finally, may the two retired actors also have a new and better future.

AV
Peng Haoxiang
2005