Between rivers and lakes and temples - the golden age of cross talk as a dog licking 5

It was the best of times, it was the worst of times...; it was a spring day of hope, it was a winter day of disappointment; we have everything in front of us, we have nothing in front of us; we'll all go straight to heaven, we'll all go straight to hell

There may be no more suitable words to describe the meaning of the golden version of Chinese cross talk in that era, and even the golden version of contemporary comedy, after Guo Degang became famous, and the inner tension. To a distant place that many people can't think of - capital.

Many times we often comment that many people can share weal and woe, but cannot share happiness. As for the community of cross talk, in the unity of the dark age, we can see the coercion of huge external pressure, making the remaining cross talk elites. I have to unite, find the correct answer in the question with only one option, and return to the theater, but when the dawn sees the light in the dark, everyone parted ways, maybe it is not only rooted in the tradition of this industry, the members' human nature is inferior, maybe it is a benefit , is the line and even the position.

1. They have a bright future

"Zhang Hua was admitted to Peking University, Li Ping was admitted to a secondary technical school, and I worked as a salesperson in a department store. We all have a bright future." - Xinhua Dictionary

After Guo Degang became popular overnight, what he left for Chinese cross talk and even traditional folk art is not only a rising star, but also a wealth code. Of course, this wealth code is not as simple as boasting about China. After all, most cross talk actors have no prerequisites - being foreigners. This is the wealth code Guo Degang left to everyone about artistic creation. While putting new wine in old bottles, some seasonings that were once discarded , those things that have been most pleasing to the public for a long time, are meat, yellow, and dirty baggage. In addition to Lao Guo's very personal series of works of me and you, many of his jokes are re-disassembly and washing of traditional work, retaining the original story structure, incorporating the connotation of the new era, and not hesitate to add various vulgar, vulgar but Also more amusing baggage. Formally, it returns to the traditional Dianhua-zhenghuo structure, which also facilitates the integration of content with modern society, and provides more space for authors to create, express themselves and interact with audiences. Dr. Meng Qingyan has a very good discussion on this from the technical level. In terms of effect, Dian talk quickly attracted the audience and caught the audience, even like Wang Zijian who once scolded PetroChina, Qiu Yingjun mentioned how much the stock market market is in the Dian talk part, maybe China's real stand-up comedy, Not from Xiaoguo or Beituo, but from the words of Xiaoyuanzi in cross talk. Of course, all kinds of vulgar burdens are also essential. Ethics is not only about taking advantage of the teaser, but also taking the audience to take advantage of it. For Lao Guo, a lot of feces, urine and farts are burdened. Yu Qian's father, Mr. Wang, has breakfast. Large intestine sashimi, but also to suck there, either obscure or straightforward, and so on. For his younger generation, Wang Zijian, who is similar to the young prince who once focused on white-collar audiences, is a pornographic gambler and tempts his partner to participate in an event called Yong. The program of running through the red light district exposes his sanctimonious appearance. Even Guo Degang's radical critic, the famous crosstalk critic on Zhihu, Mr. Li Dang, his performances are full of excessive shit, urine and fart elements.

The reason is that the traditional story structure ensures the basic reversal and narrative, increases the flavor of the times, and prevents it from derailing from the current society , although some content will still show different connotations due to the changes of the times. A representative example of the former is the Dream of the Western Expedition. It was originally a crusade against the Taiping Heavenly Kingdom and then went to the United States to participate in the anti-terrorism war. In selling tickets, it changed from a Peking opera performance to pop music or classical piano. The latter is like a story about learning Peking opera. The foundation is that many people are familiar with Peking Opera and follow the hot spots. Now it has become an introduction for unfamiliar audiences, and it is based on this. And vulgar jokes, to a certain extent, lowers the threshold of performance and writing , after all, fierce materials require less training and performance skills.

This kind of wealth code has inspired many people to join the cross talk industry, although it may be that this formula gives actors slightly more confidence than its actual effect. They include industry reservists like Sun Yue and Zhang Boxin who were trained since childhood but left because they could not see the future. They studied under the famous crosstalk educator, the king of crosstalk in Beijing, and performed in the Fat Doll Art Troupe since childhood, but in At the turn of the century, he chose to leave in the long night full of cross talk and became a glorious zoo elephant breeder or sanitation worker. It also includes many activists who are familiar with cross talk. For example, Wang Zijian, a white-collar worker who supported himself by writing game guides when he was a student. After mastering the code of wealth, he rose to the stage to talk about cross talk after he got a coat, or Miao Fu, as a railway worker, listened to cross talk since he was a child. After witnessing the success of Guo Degang, the cross talk lovers finally came to the stage to talk about cross talk. Of course, there is also He Yunwei, a leading artist, and so on. In addition, there are all kinds of things that can't be lost anyway. The representative is Yue Yunpeng, a restaurant waiter who can't speak Mandarin well, but was recommended by the old audience of Deyun Club to speak cross talk to make a living.

Guo Degang's sudden emergence, and what brings people even more hope is that in the past few years, hundreds of small gardens have sprung up and flourished in Beijing, in a cross talk town like Tianjin, and in an unexpected place like Xi'an in the northwest. . In addition to Deyun Club, there is also a hip-hop bag shop, as well as a close friend - the second class of cross talk and even the later big funny cross talk. Guo Degang's descendants seem to be so promising. Guo Degang is still at the peak of art, and more rookies are emerging. They have learned that Guo Degang is worse than him, Cao Yunjin, and learned old Guo's traditional He Yunwei. To Wang Zijian, whose lips and teeth were ignored by everyone...

We believe that they all have great futures and that this is the golden age.

2. Inherent tension: state, market and society

In the prosperous world, there are often hidden foreshadowings of decline. From the Cultural Revolution to the post-socialist period, cross talk is a detachment from the state apparatus.