Sea Fantasy – The sea of time transforms like a fantasy
Sea Fantasy – The sea of time transforms like a fantasy
By Limu Xiangbu
*The pursuit of mobile may not just escape
I have always liked Duan Yifu (human geographer)'s discussion of human escape behavior (movement)
He mentions three possibilities for escape:
First, because the harsh natural environment makes it impossible to live in the same place, they have to migrate elsewhere.
Second, because of cultural (political, religious, economic, etc.) restrictions, people want to escape from excessive and unfair power control, or turn to places with more opportunities
The third is that when there is confusion and stalemate in life, human beings understand that only by escaping from the chaotic reality and reality can distance be exchanged for a more objective and clear understanding.
for whatever reason
because of escape, because of movement
Only human beings have the possibility to expand their life experience.
It can be said to be lucky (according to the paragraph, or Peter Adey mentioned the advantages of mobility, then you can choose to escape and move is indeed a kind of luck)
Also as a human geography (with a side) researcher (working hard towards this direction)
I also often go to the lives of others by studying the fields
Observe, feel and speculate on their daily life and mood
(even far and near, be careful)
Isn't that a temporary escape from one's own life?
The protagonist of the story, Akino, is also such a human geographer
He went to one of Japan's many archipelagos
Visiting the visible and invisible
Stories of those buried in mountains, forests, rivers, and the belly of beasts
By walking and communicating (verbal and non-verbal)
He slowly recorded what "could be" the island's past
(As a humanities researcher, we all know that, no matter how careful we are, the "perspective" itself carries non-objective judgments and choices.)
Akino showed another possibility
Escape is not necessarily all about leaving the status quo
(Although there is indeed some reason in the story that prompted him to leave his life and come to this island)
Sometimes it's for something that you'll get unexpectedly after you come back
*Time is the greatest illusionist
<Sea Fantasy> still reminds me of Selma Lagerlöf's <The Adventures of Riding a Goose>
(The last time I read <Cordyceps sinensis>, I had the same feeling, so I won’t repeat it.)
By recording the bits and pieces of the land where you are from your travels
But the atmosphere is more subtle and calm
More...with Japanese repression
The story begins with a legend being told
At the end, the story is recalled again
The last sentence at the end of the book
"Across the long illusion. The horizon beyond is a place without a name." (p255.)
It expresses the change of mood of the protagonist's life
From my youth to this island
want to know everything
Desperately crawling and combing the truth
Until I return to the island after half a century
I understand that all things in this world are beyond time
Fame, opinion, and even circumstances (there is no such thing as vicissitudes) will change
Neither is real, permanent
Just like in the story, the author keeps seeing the "traces" but can't find the "ear teacher" who proves his existence
He has never been able to prove that he/they existed
But if you reject the pursuit of those "scientific" verifications
The same living you (inner) and experience will tell you
he/they did exist
just too much
In our short life, we can't be verified one by one
"Enjoying the same vivid breeze when I first arrived here, my original mourning for the things that are about to pass... Gradually, a change occurred in my heart... When I was young, it was pure enthusiasm and emotion that circulated throughout my body, but now there is only a quiet feeling in my heart. ” (p253.)
This also brings up another problem with the story
When everything fades away over time
Even if it's still in your memory, even if it's written down on paper
Even if you really walk and touch
You can't help but wonder if it ever existed
This is the power of time and the insignificance of all things
That's why humans often have to rely on "visible, tactile" things to prove they're alive
By feeling and proving the existence of others/things
we also exist
Like what a fragile and pitiful species the dodder is
Even sometimes a living person stands in front of you
its face
not necessarily the real him
Instead, what he said
written word
something to do
Unconscious emotions in the eyes
closer to the real him
"It's unbelievable. Rather than the impression of himself, the "things" he made are more strongly identified with its essence. ” (p120.)
*Like the real
I want to see, even touch is not necessarily true
This is also another meaning of the title of "Sea Fantasy".
Mirage
everything we see
Isn't it all the presentation of the other party projected into our hearts
It is an image created by twists and turns, refraction and folding.
Like the cave in Plato's "Republic"
what we think is true
But it's all illusion
The style of this book is less goblin and legend than Limu Kabu's past (especially the early Jiashou Chitan)
The description of the scene is inexplicably more fantastical
Perhaps it is precisely because the reality of the scene reflects the illusory feeling of the emotions behind it.
"Sometimes antelopes can be seen standing still in the snow in winter. The deer that live in groups will march in the snow because it is better to follow the footsteps of the former deer. An antelope that walks alone can only move step by step in the thick snow... "...After growing up and going up the mountain, I found an antelope standing upright and staring into the distance several times in the snow, always wondering what it was looking at?"
What are the antelope looking at? In the white land with blurry vision and swirling snowflakes. However, instead of squatting down, it stayed standing until it died. What happened? The warm body first froze and necrosed from the tips of the ears and toes one by one, and moved towards death. What did its eyes see in the process? What is the last image that catches your eye? ” (P173-175.)
turn out to be
Nature/universe is the most fantastic existence in this world
Because there is a force and a weight behind it that we can't understand, we can't grasp
*Whether time itself will be confused by illusion
After the story
After Akino circled the island (almost)
Back to the "real world/main island"
Then just like Kamashima Taro
Fifty years have passed suddenly in the next chapter
Countless people died
War erupts and smolders all over the world
A person's life is like this
has come to an end
Then because of the relationship with the child (new era)
He's back on the island
Through his eyes (the body of an aging individual) we see almost everything on the island
But by comparison
The island he saw when he was young is to someone fifty years ago
Isn't it totally different
Husband of heaven and earth, the reverse journey of all things. Those of time, passers-by of a hundred generations.
The author uses a small researcher (he ultimately failed to submit his field study for publication 😭)
Tell us everything like a dream bubble
I want to say that it is like a dream, and it is joyful geometry
In fact, as long as you feel the moment you feel it is real
there is something left in your heart
That moment is eternal joy and satisfaction
After all, sometimes too much research
just for curiosity
It's hard to get close to the real truth
One of the ruins in the story is a fort
It "sounds" when Akino Young Tian tunes
Said to be completed independently by a monk named Liangxin
is a very long
When it grows up, the island has to rebuild a stone wall that cannot be demolished
But no one knows why he built the wall
"What is the "fortress" that you plan to defend? Is it "time" that is constantly eroding like a raging wave? Or do you want to protect the "memories" that are about to be forgotten? ” (p230.)
but not important
that wall was left
The reason is unknown
But the will to build the wall is felt through a hundred years
to stand against time
"When people put so much effort into accomplishing something, I believe that no one understands the real reason." (p230.)
If you know the time
No matter how wise he is
Are you also confused by the interweaving of so many thoughts for such a long time?
Is the truth really the daughter of time?
Or time will also be psychedelic by itself
This is the truth
*After the trip
If I want to say that this is still not my favorite book of Limu Xiangbu
But I "felt" deeply when I read it
I think she went through the middle books after
Finally wrote what she wanted to write
I feel the will of the author behind the expression
(Just like the monk Liangxin, the other person may not understand the meaning of the action, but from the results presented/made, we can all feel that this is the characteristic of being a human being?)
I think this book is more literary
The depth of the story is more subtle and more like a cave than ever before
full of voices
Every reader is like the protagonist of the book
was suddenly led into that cave
just finally hear what
everyone's heart
neither know
*Later on
I quite like the passage mentioned in it
shadow is wind
I think of Tadao Ando's Church of the Wind
Not like the Church of Light or the Church of Water
Elements can be seen directly
Instead, through the translucent corridor
you can hear the wind
You can even see the silhouette of the branches blowing by the wind outside the corridor projected on the top of the fog corridor
We don't need touch, we don't need hearing
you can see the "wind"
As long as there is enough feeling
The world is indeed full of all kinds of beauty
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