樂音I 死死卡快活?

名曲沒有「過度演奏」這種事
There’s No Such Thing as “Over-Played” Classics

鋼琴家波哥雷利奇（Ivo Pogorelich）詮釋布拉姆斯的間奏曲（Intermezzo: Andante teneramente, op. 118, no. 2）比大多數人演奏得慢。然而，即便在緩步調的流動下，波哥仍能讓點狀樂器的鋼琴在手中完美地連結成樂線。
Pianist Ivo Pogorelich's interpretation of Brahms' Intermezzo (Andante teneramente, op. 118, no. 2) is slower than most. However, even at this unhurried pace, Pogorelich masterfully connects the piano’s punctuated notes into seamless musical lines.

或許有人會覺得這樣的詮釋略顯病態，但你看，是否淡而輕薄的情感不言而喻?
Some might find this rendition somewhat languid, but doesn't the delicate, understated emotion speak for itself?

是否記得，誰是作品118號的題獻者？
Do you remember to whom Brahms dedicated his Op. 118?

Johannes Brahms: 6 Klavierstücke, Op.118 (IMSLP)

劉明睿博士, 台灣古典吉他家、作曲家、教育家 FB: mingjuiliuguitarist
Dr. Ming-Jui Liu, Taiwanese classical guitarist, composer, and educator