"Goodbye Drawing Pears"│How to draw a movie into a comic? Fujimoto tree painting for you to see!

The first Fujimoto work I saw was "Looking Back at the Twilight", the way it was portrayed was very fantastic, and the storyline was quite fantastic. And "Looking Back at Night" made me have a very high evaluation and curiosity about Fujimoto's works as a cartoonist.

After gaining confidence in the transcript tree, I watched "Chainsaw Man" and his more curious short story collection "17-21", which made me admire Fujimoto's storytelling skills. "Goodbye to Painted Pears".

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The distribution of the grid is equivalent to the mirroring when shooting a film, which is a very important part. And Fujimoto's storyboards are really full of details and tension.

It was after reading Mr. Kuseyaku's "The Story of Studying Abroad in Tsubasa Country" last year that I became aware of the "grid" of comics. Because in the content of this chapter of "Yi Guo Studying Abroad", each side is a fairly neat four-grid large horizontal grid, which is based on four grids on one side. Occasionally, due to the needs of the plot, one side will expand into two or one grid. Although at first glance it seems to be limited because of this, but to a certain extent, when the picture becomes two or one grid, it will make people realize: here is the point.

After starting to observe different ways and sizes of grids, I also found some different techniques.

For example, the grids of "Jojo's Bizarre Adventure" and "The Disaster of Saiki Kusuo" are very small, so they are also the size of one comic, and the number and density of grids will affect the progress of the story that can be advanced. Different, so there are usually weekly/biweekly/monthly/bimonthly magazines that have a fixed number of serial pages in each issue, and the size of the grid directly affects the content and rhythm of the stories in each issue.

Or "Golden God" because the story pattern and the geographical scope involved are super large, so sometimes when you go to a new place, or you need to present a magnificent scenery, there will be a banner spread screen, when such a screen appears, We will also feel our own insignificance because of this scenery, and we can feel as if we are also in the world of comics.

The grid of "Goodbye Pear" is also fixed with four, two, one or half grids on one side. Very concise.

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Then there is the story that the cartoonist wants to tell through the emotions accumulated one by one.

The following may be related to "Goodbye Drawing Pears", friends who want to watch can go to Dongli e-book store to watch (free for a limited time) ~ support genuine ~

"Goodbye Drawing Pears" Dongli e-bookstore online watch: https://reurl.cc/KbOMnR

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At the beginning of the story of "Goodbye Eri", it tells that Yuta, a boy, received a smartphone from his mother as a gift on his twelfth birthday.

The mother gave Youtai this cell phone not because Youtai was clamoring for it, or because it was a family rule that there would be a mobile phone in the middle school to facilitate contact, but because Youtai's mother was ill, and in the foreseeable future She will die of illness, so my mother hopes that Youtai can use this mobile phone to take pictures of herself who is about to leave, so that when she leaves in the future, Youtai can use this video shot by Youtai to recall her mother's figure...

Youta agreed, so he began to take pictures of mothers in various ways in daily life, mothers cooking, mothers when the family went on a trip, mothers making snacks, parents watching TV... As the days passed, the scenes shot by Youtai and the hospital scenes gradually became more and more, until the last day, Dad drove Youtai to the hospital...

After that, the film was shown at the school cultural festival, and the reactions of the classmates and the school were almost one-sided... At this time, Yuta met Eri, and Eri shared the movie with him. She hoped that Yuta could continue to make movies... ...