黎納
黎納

黎明天光,百納海川。喜歡故事創作、影視作品分析,亦是社會觀察者。

[Don't take action against image research! 】Escape from epidemic prevention! Let's get started with image research!

Tired of quarantine? Let's plunge into the world of fantasy! "Don't take action on image research! "Describes a water labyrinth with intricate entrances and exits and inexplicable height differences. High school students at Shibahama High School use the wonderful labyrinth as a stage to face the strongest world in their hearts!
Figure 1: TV アニメ "Image Research には手を出すな! 』本ビジュアル (C) 2020 Datong Shuitomi・Shogakukan / "Video Research" Production Committee
Video 1: TV アニメ "Image Research には手を出すな!" OP animation [1/5 (Sun) 24:10 ~ NHK 叏合テレビにて broadcast start]
Figure 2: Light Grass Green
Figure 3: Kinson Sayaka
Figure 4: Mizusaki Yan

Asakusa Green moved to the water maze since he was a child, and he explored the environment everywhere. One day, he discovered the world of "animation". He imagined this place as the stage background, and various settings exploded in his mind. After entering high school, I asked my only friend, Sayaka Kanemori , to join the special screening of the animation research club. I happened to meet Mizusaki Yan , who also loves animation. In order to avoid (participate in) the pursuit of the man in black, the three set foot on the dragonfly machine. Cabin, shuttle through the water maze!

That's right! This is how the first episode started! What? You ask this, I have finished, is there anything to look at? Then you are wrong!

Asakusa Green: Setting is life!

For Asakusa Green, who is obsessed with settings, "setting is life" means that in the world of animation, everything is arranged properly, and if there are any errors or mistakes, it cannot be fully displayed. For example, art settings, scene settings, mechanical settings... well-known setting sets, such as animations produced by Studio Ghibli, "The Hidden Girl", "Nausicaa", "Hall's Moving Castle", etc. Wait, there are animation sets published, but, to put it bluntly, why is "setting" so important?

For example, Batman has a bunch of cool stuff, assuming you're watching a live-action movie, it's not necessarily introduced in the plot, or even used, and the audience can't understand the mystery (because it's not said at all! ), however for the art team, they must know.

You ask, do you need to set something that the plot will not explain? Who is it set for? At this point, pretend you're behind the scenes and imagine if you were going to create something cool for Batman out of thin air today, what would you need to do first?

The first is to refer to the original settings, very good, this is the foundation is very important. What about next time? You need to read the script carefully to understand what is the mission of Batman this time? If the script describes the appearance of the object and how to use it, how can the text be turned into an image and clearly formed?

You say, wait a minute, it's so complicated, it's just how the audience knows what to do? Moreover, things like "setting" didn't follow the plot, and the audience didn't feel it at all!

"Don't take action on image research! "That's such a cool thing!

Asakusa Green's "settings" will bring you an eye-opener, unknowingly entering her world, and as the plot progresses, these "settings" will also exert its influence - not only let you experience "why to set" , you can experience the extensiveness of the "Settings Application".

With the setting and the characters, the real problem is...

Mizusaki Yan, who is good at drawing characters and action details, was prevented from joining the Animation Research Club by her family. Together with Asakusa Green and Kanemori Sayaka, they formed the "Image Research Club". The so-called "reality" situation is slapped on their faces episode by episode, what should I do?

Sayaka Kinsen, whose sense of money is the first and practical considerations first, is the most important golden triangle for them to travel. That is, the so-called producer and producer—manage people, money, time, all of them! (Come! Come!)

Whether it's the student council's deliberately making things difficult, the school's position, or the creative insistence of Asakusa Green and Mizusaki Yan, they all have to face the current situation of animation production: creation VS time limit, details VS time limit, money VS time limit... each has its own difficulties, From the high school club of the three, a glimpse of the real situation of the Japanese animation industry, such a masterpiece, don't you chase it?


and then?

The most important question to watch the story: Then what?

Read on.

Do you think I'm bluffing? The greatest wish of all creators is that readers/viewers continue to watch, there is no one. Other viewing angles will be introduced later. Since the thematic introduction is clearer, it will be updated every week. Go and watch this masterpiece first!

Supplement: I have seen this work on Netflix, but I recommend Bahamut more. The details of the settings are fully translated. Although those details are not the focus of the plot, they can better appreciate Asakusa Green's insistence on the integrity of the "settings" (also Persistence of the animation team). The so-called devil hides in the details, if you are also interested in the details, you may get a lot of harvest!


source

Figure 1: TV アニメ "Image Research には手を出すな! 』×Adobe×wacom The strongest のコラボが is born! Anime・イラストコンクールスタート
Figure 2-4: All are screenshots of Video 1.
Video 1: TV アニメ "Image Research には手を出すな!" OP animation [1/5 (Sun) 24:10 ~ NHK 叏合テレビにて broadcast start]
Video 2: TV アニメ "Image Research には手を出すな!" PV 2nd






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